Showing posts with label visual arts education. Show all posts
Showing posts with label visual arts education. Show all posts

Thursday, June 25, 2026

Day 1: Leaving North Carolina and Arriving in South Africa

In the next few posts, I’ll be sharing about my experiences in South Africa, Botswana, Zimbabwe, and Zambia. I was selected to participate in Go Global NC’s Global Teachers: Southern Africa 2026 program, a professional learning program for North Carolina educators. The purpose of the program is to help teachers develop a deeper understanding of southern Africa through direct experiences with history, culture, education, conservation, land use, development, and shared global challenges.

Throughout the program, I will be thinking about what I can bring back to my students and classroom, especially as a visual arts teacher. I am interested in paying attention to schools, public art, community spaces, murals, classroom environments, student work, symbols of identity, and the ways people and places communicate who they are. My hope is that this program will deepen my own understanding and eventually grow into lessons, projects, and conversations that help my students see the world, and their own place in it, with a wider lens.

This first post covers “Day 1,” our travel day: leaving North Carolina on June 23, flying through Newark, and arriving in Johannesburg on June 24.

On June 23, Jeff drove me to RDU. It was raining, and I was more nervous than I expected. Before I left home, I hugged both boys goodbye. I have traveled plenty in my life, so I can't really explain why I was so nervous, but by the time I got out of the car at the airport, I felt like I was about to board a roller coaster.

The first person I saw was Tyler, who recognized me from our Go Global group bio and called my name. I was immediately grateful because, in my state of anxiety, it probably would have taken me ten minutes to read the directions and figure out how to attach the luggage tag to my checked bag. Tyler had it done in less than a minute.

Our group leaving from RDU had a little trouble getting started. Because of weather, our flight was delayed a couple of hours. At one point, we even had to deplane and then board again, which added a little extra stress since we still had an international connection waiting for us in Newark. Thankfully, everything worked out. Once we arrived in Newark, we met up with the rest of our group, including those who had flown from Charlotte.

From Newark, we boarded a United Dreamliner for Johannesburg. The flight was about fifteen hours. We boarded around 9:00 p.m. on June 23, ate dinner, and I went to sleep soon after. When I woke up, it was daylight on June 24. I slept on and off, stared at the flight map, and before I knew it, we were watching the sun set again.

One of the most beautiful moments of the flight was looking out the window as we flew over the Namib Desert. From above, the land looked almost unreal, full of lines, textures, and ridges with no visible signs of human disturbance.

We landed in Johannesburg around 6:30 p.m. on June 24 and made it through customs fairly easily. After collecting our luggage, our whole group gathered in the airport: tired, relieved, and officially here.

Our guide, Darryl, met us at the airport, along with our bus driver, whose name was Nkululeko, to the best of my spelling ability. On the ride to our hotel, Darryl began introducing us to Johannesburg. He explained that the airport is outside the city and spoke honestly about some of the realities here, including deep inequality and high unemployment. He also talked about language, currency, religious diversity, and the importance of greeting people warmly before getting down to business.

One idea he shared that stayed with me was Ubuntu, a South African moral philosophy rooted in shared humanity and connectedness. It is often described as “I am because we are.” As I continue to think about that idea, I want to keep listening for it throughout this program: in schools, in conversations, in hospitality, in history, and in the way people care for one another.

We are staying at the Garden Court in Johannesburg's financial district. After we arrived, my roommate and I got settled, put away our luggage, and headed downstairs for dinner with a few members of our group. I ordered three mini cheeseburgers, a bottle of water, and a glass of wine, and the whole meal was 230 Rand, about $14.

By the end of the night, I was exhausted, but grateful. Day 1 was mostly airports, delays, long flights, and luggage, but it was also the beginning of a bigger learning experience. We left North Carolina carrying our usual pace and assumptions. We arrived in South Africa ready to slow down, listen, and learn.


Sunday, January 25, 2026

The Art 1 Course I wish I had when I Started Teaching High School (in 2009)

I started teaching high school art in 2009, and if there’s one thing I can say with confidence, it’s this: my Beginning Art class has not stayed the same. Not even close.

It has been revised, rebuilt, tweaked, scrapped, resurrected, and occasionally held together with duct tape and vibes. Which, honestly, feels pretty accurate for teaching in general.

When I first started, I taught linear perspective one line at a time. On the whiteboard. With a yardstick. I’d draw a line, turn around, and half the class was already lost while the other half was painfully bored. Then I’d sprint around the room trying to catch mistakes before they became permanent. It took forever. And it was exhausting.

Then came the document camera. That felt revolutionary at the time. I could zoom in. I could use a ruler instead of a yardstick. I could demonstrate more clearly. But it was still setting the pace, and students were still stuck waiting if they didn’t get it the first time.

Later, I found YouTube videos, and that helped a lot. Students could pause and rewind, which was huge. But that also meant remembering to reserve the laptop cart, hoping all the devices worked, and praying the Wi-Fi behaved.

Now, finally, we’re 1:1 with devices. And instead of hunting for the right video, I make my own.

Not because I wanted to be on camera, but because after teaching this course for so long, I know exactly where students get stuck.

I know the back edge of their box will not always be parallel to the front.
I know their ruler will slip halfway through a long line.
I know they’ll forget to line their windows up to the vanishing point.

So now I show them how to pivot the ruler with their pencil, how to line up vanishing points quickly, and how to work smarter instead of slower. The videos are short, targeted, and built around the mistakes I’ve watched students make for over a decade.

What’s interesting is that while how I teach has changed dramatically, the core structure of my class really hasn’t.

Everything is grounded in the elements of art and principles of design. Every unit connects back to those foundations. I intentionally include artists from different cultures, backgrounds, and time periods throughout the course, not as an add-on, but as part of the fabric of the learning.

At the very beginning of the year, I ask students to adopt a new mindset: art is a skill. Just like math. Just like writing. It can be taught, practiced, and improved.

We look at Lowenfeld’s stages of artistic development, and students identify where they think they are and where they're going. We talk about schemas, why we rely on them, and why we sometimes have to ditch the schema to draw what we actually see rather than what we think we see.

That conversation alone changes everything.

When I first started teaching, a premade art curriculum was unheard of. In many districts, it still is. And in some ways, that freedom is one of the best parts of being an art teacher. We get to design our classes around our interests, our students, and our communities.

But the flip side of that freedom is how overwhelming it can be, especially at the beginning. Our standards are incredibly broad. There are countless valid ways to teach the same content, and when you’re new, that can feel paralyzing. I remember wishing I had something to start from - not a script or something rigid, just a solid foundation I could build on and revise as I figured things out.

I can’t even fathom where I might be now if something like this had existed when I was just getting started.

Over the years, through a lot of trial and error, I’ve developed a course I’m really proud of. And I continue to tweak it year after year as my students change and technology evolves.

So, Why Am I Sharing All of This?

Because I believe deeply in sharing with other teachers. Some of the best ideas I’ve ever had came from conversations in hallways, conference sessions, or late-night scrolling through what other art teachers were doing. Our profession is better when we learn from one another.

At the same time, I also believe that teachers’ work has value. This course didn’t come together overnight. It represents countless hours outside of the school day... planning, revising, filming, reworking rubrics, and adjusting lessons year after year based on what actually worked for students. Like many teachers, I built this mostly at home, on my own time.

And as a first-year teacher, I would have happily paid for something like this. Even though I shouldn’t have had to. Even though schools should provide this kind of support. Having a solid starting point would have saved me so much time, stress, and second-guessing.

My hope is that teachers who are interested have access to a professional budget they can use, or feel comfortable sharing this with their department or district so it can be purchased using instructional funds. This kind of resource is meant to support teachers, not add to their workload.

So I’ve packaged my entire Art 1 curriculum exactly as I use it in my own classroom, with an option that includes the full course already built in Canvas. Every unit. Every assignment. Every rubric. Organized, editable, and ready to use.

Not because I think everyone should teach exactly like I do, but because I know how powerful it is to start from something solid and make it your own.

Just something I wish I had when I was standing at a whiteboard in 2009, holding a yardstick, wondering why this felt so hard.

If you’re interested, you can find my course linked below:

Monday, December 08, 2025

Engaging Art History Lessons / Perfect for Weather Closures & Remote Learning Days



I originally created my Art History series to use in the classroom. They are high-engagement lessons where I guide students through the presentation, they complete their guided notes, and we discuss each movement together.

But one of the unexpected bonuses?
These lessons also work incredibly well on days when learning suddenly shifts online due to weather, power outages, or other school closures.

Because each unit is structured, visual, and fully digital, students can transition into art history seamlessly during remote learning days, even when their in-class studio projects aren’t possible to complete at home.

What’s Inside Each Lesson

Each movement includes:

  • EdPuzzle warm-up
  • Google Slides presentation
  • Guided notes (print or digital)
  • Teacher's answer key
  • Flashcard-style Memory Builder Quiz
  • A complete 90-minute lesson plan

The consistency across the series makes it easy for students to follow along in class and transition smoothly if learning becomes asynchronous for the day.


Featured Lessons in the Series

Once all movement lessons have been created, I'll put together a discounted bundle for teachers who want the entire set. ***Update**** The discounted bundle can be found HERE!

Why Teachers Love These Lessons

  • Highly visual and student-centered

  • No extra materials needed / great for 1:1 technology

  • Easy to adapt whether students are in class or learning from home

  • Guided notes keep everyone focused

  • Great for subs, blended learning, and “anytime” art history instruction


Explore the Collection

You can find all available lessons in my TPT store under the category "Art History." Check back soon for the next movement releases!